Wynton kelly kelly at midnight rapidshare




















Without him there's no smoking. Another judicious tribute came from Cannonball Adderley who had worked with Wynton in the Miles Davis band. He plays with the soloist all the time, with the chords you choose. He even anticipates your direction. What struck me was that wherever Wynton worked, he fitted in. He's not limited to one kind of playing. With Dinah, he had the taste and supportive power of a superior accompanist.

With me, he had the fire and the straightaway swinging my bands have to have. And with Miles, he can be as subtle as Miles requires. So answered Bill Henderson and Paul Chambers. Leading jazz musicians, such as Dizzy Gillespie and Miles Davis Wynton's current employer , are cognizant of this fact.

What does Wynton have that is so different? And yet with the clarity of the way he played, you knew that he had put this together in a carefully planned way — but the result was completely without calculation, there was just pure spirit shining through the conception. He combined boppish lines and blues interpolations with a taut sense of timing quite unlike anyone else except his imitators.

The same quality made his equally individual block chording into a particularly dynamic and driving accompanying style that was savored by the many soloists that he backed. Of his work with his own trio, John A. Tynan had this to say in a Down Beat review:. This date was a first-rate trio outing with Kelly given the space to demonstrate subtlety and flair, harmonic precision, melodic brilliance and rhythmic diversity.

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